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Fordham Hosts Screening of ‘The Eyes of Tammy Faye’
By
CHLOE ZELCH
September 22, 2021
Capitalist Greed, Gluttony and Fear: Why I Couldn’t Take My Eyes Off ‘Spirited Away’
By
MAEL QUENTIN
July 14, 2021
The New Hollywood: South Korean Cinema Is Refreshingly Original and Genre-Bending
By
MICHAEL MATHEWS
June 19, 2021
‘Judas and the Black Messiah’ Is a Film to Remember
By
MICHAEL MATHEWS
April 25, 2021
Slav Velkov on Life as a Student Filmmaker and His Upcoming Work ‘A New World’
By
AIDAN LANE
March 24, 2021
Opening the Aperture to Photo Production
By
ANDREW DRESSNER
March 23, 2021
‘Minari’ Will Leave You Crying Over a Bunch of Produce
By
POLINA UZORNIKOVA
March 7, 2021
Fordham Visual Arts: From Classroom to ‘Class-Zoom’
By
KEVIN STOLL
September 17, 2020
The Academy of Disappointment
By
ETHAN COUGHLIN
January 20, 2020
Debating and Classifying the ‘Christmas Movie’
By
KEVIN STOLL
December 19, 2019
Review: ‘A Beautiful Day in the Neighborhood’ Honors Mr. Rogers’ Kindness
By
LEV YAKOVLEV
December 4, 2019
‘Queen of Hearts:’ Female Filmmaking and Art Collide
By
ANA PAULA CAMACHO PÉREZ
December 4, 2019
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