Skip to Main Content
ALUMNI
DONATE
ADVERTISE WITH THE OBSERVER
SUBMIT A TIP
More
Facebook
Instagram
X
YouTube
Search this site
Submit Search
The Observer
Open Navigation Menu
The Observer
NEWS
OPINIONS
ARTS & CULTURE
SPORTS & HEALTH
FEATURES
FUN & GAMES
MULTIMEDIA
PODCAST
ABOUT THE OBSERVER
DONATE
ADVERTISE WITH THE OBSERVER
SUBMIT A TIP
EDITORIAL BOARD
MANY VOICES PRIZE
More
The Observer
Open Search Bar
Search this site
Submit Search
Open Navigation Menu
News
Opinions
Arts & Culture
Sports & Health
Features
Fun & Games
Multimedia
More
Podcast
About The Observer
Editorial Board
Masthead
Editorial Guidelines
Many Voices Prize
Issue Archives
Students for Justice in Palestine
More
The Observer
Open Search Bar
Search this site
Submit Search
Carousel in a #MeToo Moment
By
MICHAEL APPLER
March 20, 2018
A Fordham Professor’s Odyssey of Empowerment
By
GILLIAN RUSSO
March 14, 2018
Fordham/Ailey Alum Says “Hello, Dolly!”
By
CAT REYNOLDS
February 28, 2018
More Than Make Believe: Cosplay at BroadwayCon 2018
By
JULIANNE HOLMQUIST
February 14, 2018
“The Monologues:” A Space for All Vaginas, Any Vaginas, and Not Just Vaginas
By
ALEJANDRA GARCÍA
February 14, 2018
Televangelist Jan Crouch Lives on Through Billy Recce’s New Musical, “The Charlatans”
By
MORGAN STEWARD
February 7, 2018
In The Theater District, Ferguson Misremembered
By
MICHAEL APPLER
January 8, 2018
Review: “Cruel Intentions: The Musical”
By
MORGAN STEWARD
December 15, 2017
“The Rafa Play:” A Fordham Professor’s Absurdist Romance
By
KEVIN CHRISTOPHER ROBLES
December 11, 2017
Theater Review: “The Parisian Woman”
By
MORGAN STEWARD
December 9, 2017
Lack of Asian-American Visibility in Theatre
By
LINDSAY JORGENSEN
December 9, 2017
PITS: A Fresh Take on a Classic Story
By
ETHAN SHEA
December 9, 2017
Pages:
«
1
...
13
14
15
16
17
18
19
...
32
»
Close
Close Modal Window
Close