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Review: In “Sugar in Our Wounds,” The Measure of Black, Queer America
By
MICHAEL APPLER
June 23, 2018
Review: At the Delacorte, a Refreshingly Conventional “Othello”
By
MICHAEL APPLER
June 22, 2018
Review: In “Peace for Mary Frances,” A Terrifying Looking-Glass of Loss
By
MICHAEL APPLER
June 6, 2018
Review: In “Your Alice,” A Wonderland Shattered
By
MICHAEL APPLER
May 31, 2018
Review: “Light Shining in Buckinghamshire” and the Revolution that Never Happened
By
MICHAEL APPLER
May 21, 2018
Review: You’ll Definitely “Love, Simon”
By
ETHAN SHEA
May 7, 2018
Review: The One with “FRIENDS! The Musical Parody”
By
MARIELLE SARMIENTO
May 7, 2018
Review: “Avengers: Infinity War:” Marvel’s Crowning Gem…or Infinity Stone
By
MARYANNA ANTOLDI
May 7, 2018
Review: “My Fair Lady” is Newly Restored, Brilliantly Led by Lauren Ambrose
By
MICHAEL APPLER
May 1, 2018
Review: “Harry Potter and the Cursed Child” Comes to Broadway, Spellbound
By
MICHAEL APPLER
May 1, 2018
Review: “Saint Joan” is Revived on Broadway; Condola Rashad Soars
By
MICHAEL APPLER
April 25, 2018
Review: Donna Summer’s Bio-Musical Opens on Broadway, Primed for (If Nothing Else) a Good Time
By
MICHAEL APPLER
April 23, 2018
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