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Review: ‘Wild Goose Dreams’ Takes You to the Lonely Frontier of Digital Life
By
MICHAEL APPLER
November 15, 2018
Review: At LCT, ‘Plot Points In Our Sexual Development’ Traces the Edges of Queer Intimacy
By
MICHAEL APPLER
November 9, 2018
Review: ‘The Ferryman’ Steers Us to the Crossroads of Family and Myth, History and Tradition
By
MICHAEL APPLER
November 9, 2018
Review: “Torch Song” Breathes New Life, Radiantly Led By Michael Urie
By
MICHAEL APPLER
November 9, 2018
Review: At Ars Nova, ‘Rags Parkland’ Takes Us To Our Future
By
MICHAEL APPLER
November 7, 2018
Review: ‘Eve’s Song’ Makes An Ambitious Attempt at Tackling Family and Violence in Black America
By
MICHAEL APPLER
November 7, 2018
Review: In ‘Midsummer’ The Mobile Unit Delivers a Joyous Celebration of Life and Shakespeare
By
MICHAEL APPLER
November 7, 2018
Review: ‘Skintight’ Takes Beauty to Task
By
MICHAEL APPLER
August 5, 2018
Review: “Log Cabin,” and the Wilderness of LGBTQ Equality
By
MICHAEL APPLER
June 29, 2018
Review: In “Sugar in Our Wounds,” The Measure of Black, Queer America
By
MICHAEL APPLER
June 23, 2018
Review: At the Delacorte, a Refreshingly Conventional “Othello”
By
MICHAEL APPLER
June 22, 2018
Review: In “Peace for Mary Frances,” A Terrifying Looking-Glass of Loss
By
MICHAEL APPLER
June 6, 2018
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