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‘Capsules’ Film From Fordham Alumni Is Triumphant at Philip K. Dick Science Fiction Film Festival
By
HANNAH KASKO
March 1, 2023
The Little Studio That Could: How A24 Dominated the 2023 Academy Award Nominations
By
JUJU JAWORSKI
February 16, 2023
Romance in the City: Is NYC All That Rom-Coms Make It Out To Be?
By
JULIANA SHARON
February 15, 2023
A Window Into Soukaina Alaoui El Hassani’s Silver Screen
By
AVERY LOFTIS
February 8, 2023
‘Puss in Boots: The Last Wish’ Has No Business Being This Good, but I’m Glad It Is
By
JULIA JARAMILLO
January 25, 2023
The Cinematic Self-Reflection of ‘The Fabelmans’
By
EPHRAM OLIVER
December 11, 2022
The Delicacy of Charlotte Wells’ Debut Film, ‘Aftersun’
By
JUJU JAWORSKI
December 8, 2022
‘Black Panther: Wakanda Forever’ Revives Phase 4 of Marvel
By
CHAISE JONES
November 21, 2022
Central Park in Popular Media
By
ALICE MORENO
,
CAILEY KOCH
, and KATHERINE HOHMAN
November 7, 2022
‘She Said’ Gives Victims a Voice
By
EMILY STRLEKAR
November 1, 2022
NYFF Roundup: ‘Bones and All’ and ‘Decision to Leave’
By
EPHRAM OLIVER
October 20, 2022
Deconstructing Genius in ‘Tár’
By
ANA KEVORKIAN
October 18, 2022
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