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‘Caroline, or Change’ Offers Its Two Cents on the Human Condition
By
SHEA CAMPION
November 16, 2021
‘The Many Saints of Newark’: A ‘Sopranos’ Story?
By
MICHAEL MATHEWS
November 16, 2021
‘Hand to God’: Satanic Sock Puppets, Socially Distanced Sex and Religion
By
FABIOLA ARIAS
November 12, 2021
‘Dune’: The Long Beginning
By
NICK PELLIZZI
November 9, 2021
‘Six’: Breaking Broadway Conventions Since the 16th Century
By
ERIKA TULFO
November 8, 2021
‘Hadestown’: An Opera of Devotion and Dominance
By
FABIOLA ARIAS
November 5, 2021
‘The Velvet Underground’ Documentary is a Moving Tribute to a One-of-a-Kind Band
By
SARA LOCKETT
November 1, 2021
‘What If…?’: High on Creativity, Short on Polish
By
STEPHEN BRAGALE
and
CHRISTIAN MADLANSACAY
October 30, 2021
The Disturbing Yet Beautiful Message of ‘Squid Game’
By
SANSAN LIANG
October 29, 2021
‘Beautiful World, Where Are You’ Is a Gorgeous Coming-of-Age Story
By
AMIRA MOTAIR
October 22, 2021
‘No Time To Die’ Is an Eventful and Heartwarming Conclusion to Daniel Craig’s 007
By
CHRISTIAN MADLANSACAY
October 18, 2021
New York Comic Con Returns in a Relaxed and Exciting Manner
By
CHRISTIAN MADLANSACAY
October 16, 2021
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