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‘The Moors’: A Dark and Whimsical Comedy
By
SOPHIA GRAUSSO
November 17, 2022
‘Tartuffe’: A Gorgeous Exploration of Illusion and Delusion
By
LOLA CRAVATH
November 16, 2022
Shakespeare in the Park: Over 60 Years of Free Theater
By
OLIVIA STERN
October 27, 2022
‘Dance Nation’ Completes a Sold-Out Run on the Fordham Mainstage
By
SOPHIA GRAUSSO
October 27, 2022
Phantom of The Opera To Take Its Final Bow
By MAKENNA VINCENT
October 21, 2022
Is ‘Spring Awakening’ Still Relevant 15 Years Later?
By
Emily Strlekar
October 18, 2022
Not So ‘Funny Girl’: The Evolution of Fanny Brice’s Costume and Its Fatphobic Connotations
By
FABIOLA SANTIAGO-RUIZ
October 12, 2022
Theater Arts in the Archives
By
AVERY LOFTIS
September 14, 2022
Alison Leiby’s ‘Oh God, A Show About Abortion’ Resonates With Audiences
By
MARYAM BESHARA
August 25, 2022
Lea Michele Replaces Beanie Feldstein in ‘Funny Girl’ Revival
By
MADELYN KINZEL
July 26, 2022
‘Notre Dame de Paris’: So Good, It’s Sinful
By
ALYSSA MACALUSO
July 21, 2022
Amber Gray Visits Fordham Theatre Program for “Calling Up” Lecture Series
By
MOLLY HIGGINS
May 16, 2022
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