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‘High School Play’ Marks Mainstage Return
By
ELEANA KOSTAKIS
November 1, 2023
‘Back to the Future: The Musical’ Review: The Chandelier Now Has Wheels
By
ANDREW DEFRIN
October 25, 2023
‘Dumb Money’ Is an Unapologetic Ode to the Underdog
By
ERIKA TULFO
October 22, 2023
New Dark Comedy ‘Hit Man’ Captivates Audiences
By
EPHRAM OLIVER
October 18, 2023
‘Dead Man Walking’ Premieres at the Met Opera
By
DURGA DESAI
October 18, 2023
‘Poor Things’: A Female Frankenstein
By
LUCAS GONZALEZ
October 18, 2023
‘How Can You Cancel The Wind?’: Ziwe Fumudoh and Aparna Nancherla at The New Yorker Festival
By
BRETT DALIS
October 18, 2023
‘Sex Education’ Season 4: Hope for All Who Need It
By
HANNAH VENNING
October 18, 2023
Radical Dance at the Met: Vignettes of Martha Graham
By
NORA KINNEY
October 18, 2023
Tetlow’s Second President’s Ball Fosters Campus Unity
By
CHAISE JONES
October 18, 2023
San Martín Honors Victims of Pinochet Regime
By
ADITI PRAVEEN KARIYANAHALLI
September 29, 2023
A Thrilling New Revival of ‘Sweeney Todd’
By
GRACE PAK
September 29, 2023
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