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Fit For An Autopsy Rocks Irving Plaza
By
GRACE EHLE
November 23, 2024
The Big Apple Circus is Fordham’s Festive Neighbor
By
GABRIELA POSTIGO
November 20, 2024
Splinter Group’s ‘Spring Awakening’ Explores Creativity in the Eyes of Tragedy
By
SABRINA OLIVERI
November 20, 2024
Jhailyn Paige Farcon Dances Her Way to Broadway
By
LIVIA REGINA
November 20, 2024
A Heartfelt Journey Home in ‘Kentucky’
By
MCKENNA DIXON
November 20, 2024
‘Nickel Boys’ is an Innovative Masterpiece
By
EPHRAM OLIVER
November 10, 2024
Tyler, The Creator Takes Off His Mask in ‘Chromakopia’
By
KATIE HOHMAN
November 6, 2024
‘Romeo + Juliet’ Is A Tragic Rave in Verona
By
JULIA JARAMILLO
November 6, 2024
Dorothy Fortenberry on Climate, Faith and Screenwriting
By
MICHELLE WILSON
November 6, 2024
A Celebration of Life and Death
By
SOPHIA STEPHAN
November 6, 2024
‘McNeal’: Robert Downey Jr.’s Bold Broadway Debut — But Does it Land?
By
KRYSTA ESCOBAR
October 24, 2024
“Everybody’s Birthday”: The Underground Performing Arts Scene in New York
By
VANESSA FRANCO
October 23, 2024
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