Review: Tarell Alvin McCraney’s ‘Choir Boy,’ Fearless and Faithful, Makes Radiant Broadway Debut By MICHAEL APPLER February 1, 2019
Review: Gilded in Glitter, How Much Jukebox Inferno Can ‘The Cher Show’ Take? By MICHAEL APPLER December 6, 2018
Review: Martin Moran’s ‘The Tricky Part’ Returns to Prove the Power of Testimony By MICHAEL APPLER December 3, 2018
Review: In ‘The Making of King Kong,’ a Hallucinatory Descent into the American Imagination By MICHAEL APPLER December 2, 2018
Review: Stoppard’s ‘The Hard Problem’ Looks for Humanity in Human Consciousness By MICHAEL APPLER November 20, 2018
Review: ‘The Prom’ Is a Celebratory Trumpian Footloose When We Need It Most By MICHAEL APPLER November 15, 2018
Review: ‘Wild Goose Dreams’ Takes You to the Lonely Frontier of Digital Life By MICHAEL APPLER November 15, 2018
Review: At LCT, ‘Plot Points In Our Sexual Development’ Traces the Edges of Queer Intimacy By MICHAEL APPLER November 9, 2018
Review: ‘The Ferryman’ Steers Us to the Crossroads of Family and Myth, History and Tradition By MICHAEL APPLER November 9, 2018
Review: “Torch Song” Breathes New Life, Radiantly Led By Michael Urie By MICHAEL APPLER November 9, 2018
