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Review: Tarell Alvin McCraney’s ‘Choir Boy,’ Fearless and Faithful, Makes Radiant Broadway Debut
By
MICHAEL APPLER
February 1, 2019
Review: At “Awake,” A Carousel of American Contention
By
MICHAEL APPLER
January 23, 2019
Review: Gilded in Glitter, How Much Jukebox Inferno Can ‘The Cher Show’ Take?
By
MICHAEL APPLER
December 6, 2018
Review: Martin Moran’s ‘The Tricky Part’ Returns to Prove the Power of Testimony
By
MICHAEL APPLER
December 3, 2018
Review: In ‘The Making of King Kong,’ a Hallucinatory Descent into the American Imagination
By
MICHAEL APPLER
December 2, 2018
Review: Stoppard’s ‘The Hard Problem’ Looks for Humanity in Human Consciousness
By
MICHAEL APPLER
November 20, 2018
Review: ‘The Prom’ Is a Celebratory Trumpian Footloose When We Need It Most
By
MICHAEL APPLER
November 15, 2018
Review: ‘Wild Goose Dreams’ Takes You to the Lonely Frontier of Digital Life
By
MICHAEL APPLER
November 15, 2018
Review: At LCT, ‘Plot Points In Our Sexual Development’ Traces the Edges of Queer Intimacy
By
MICHAEL APPLER
November 9, 2018
Review: ‘The Ferryman’ Steers Us to the Crossroads of Family and Myth, History and Tradition
By
MICHAEL APPLER
November 9, 2018
Review: “Torch Song” Breathes New Life, Radiantly Led By Michael Urie
By
MICHAEL APPLER
November 9, 2018
Review: At Ars Nova, ‘Rags Parkland’ Takes Us To Our Future
By
MICHAEL APPLER
November 7, 2018
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