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“Everybody’s Birthday”: The Underground Performing Arts Scene in New York
By
VANESSA FRANCO
October 23, 2024
‘Our Town’ is Creative But Convoluted
By
CARRIE JOHNSON
October 23, 2024
Poetry and Swords: ’Sins of Sor Juana’ is a Powerful Feminist Display
By
NEHIR CETIN
, Contributing
October 23, 2024
Norma’s Back At Last!
By
JOSHUA HIGHTOWER
October 23, 2024
New Musicals Premiere at Elsie Fest
By
SABRINA OLIVERI
October 7, 2024
Come Hear The Music Play (All Around You)
By
ANDREW DEFRIN
May 25, 2024
She Has Teeth Where?
By
VALERIE LE
May 21, 2024
‘Marisol’ Tells an Apocalyptic Bronx Tale
By
CHRISTINA IOANNIDES
March 17, 2024
‘The Medea Thing.’ Reimagines the Sin and Sacrifice of a Woman Scorned
By
NORA KINNEY
March 16, 2024
On the Anniversary of the People Power Revolution: A Retrospective on “Here Lies Love”
By
Katrina Martinez Luna
March 1, 2024
‘Rhinoceros’ Charges Into Absurdity
By
STEVIE FUSCO
December 8, 2023
‘My Sweetest Baby Angel Princess’ Explores Sexual Exploitation
By
ANA KEVORKIAN
November 17, 2023
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