The Observer

Review:  Gilded in Glitter, How Much Jukebox Inferno Can ‘The Cher Show’ Take?

Review: Gilded in Glitter, How Much Jukebox Inferno Can ‘The Cher Show’ Take?

December 6, 2018

If the makers of “The Cher Show,” among whom the real Cher is a producer, thought the pure divadom of its subject, dressed in all the gloriously gay, sequined and campy stylings of our favorite dark lady, could save the bio-musical from itself, they were holdin’ out for love.

Review: ‘Kennedy: Bobby’s Last Crusade’ Is A Glimpse Into American Politics 50 Years Ago

Review: ‘Kennedy: Bobby’s Last Crusade’ Is A Glimpse Into American Politics 50 Years Ago

December 4, 2018

Though Kennedy was by no means perfect, the play presents us with the portrait of a citizen who has the passion and guts to help make our country just for everyone.

Review: Martin Moran’s ‘The Tricky Part’ Returns to Prove the Power of Testimony

Review: Martin Moran’s ‘The Tricky Part’ Returns to Prove the Power of Testimony

December 3, 2018

It’s not hard to guess why the Barrow Group may have asked Moran to again surface “The Tricky Part.” But to come to “The Tricky Part” expecting our contemporary social sentience to jolt this play into some electric consciousness is naive.

Review: In ‘The Making of King Kong,’ a Hallucinatory Descent into the American Imagination

Review: In ‘The Making of King Kong,’ a Hallucinatory Descent into the American Imagination

December 2, 2018

The satire at the heart of Lisa Clair’s “The Making of King Kong,” presented by Target Margin Theater, is not aimed at that famed monster himself. If anything, Kong is the most reasonable being in the room.

Review: Stoppard’s ‘The Hard Problem’ Looks for Humanity in Human Consciousness

Review: Stoppard’s ‘The Hard Problem’ Looks for Humanity in Human Consciousness

November 20, 2018

“We need to live first of all; to believe in what makes us live and that something ‘makes’ us live — to believe that whatever is produced from the mysterious depths of ourselves need not forever haunt us as an exclusively digestive concern,” Artaud told us, jokingly.

Review: ‘The Prom’ Is a Celebratory Trumpian Footloose When We Need It Most

Review: ‘The Prom’ Is a Celebratory Trumpian Footloose When We Need It Most

November 15, 2018

“The Prom” may very well be the musical comedy sensation of this Broadway season — its story of four clueless, Indiana-bound Broadway divas, determined (though misguided in their efforts) to help a small-town lesbian banned from her prom, too tempting of a political carrot for a Broadway community starving for witty political humor and the warm embrace of an indulgent Broadway musical.

From Harvard to ‘Harry Potter’

From Harvard to ‘Harry Potter’

November 15, 2018

“I f---ing love New York. I love the speed of it, I love the people, I’m so happy and thrilled to ...

Review: ‘Wild Goose Dreams’ Takes You to the Lonely Frontier of Digital Life

Review: ‘Wild Goose Dreams’ Takes You to the Lonely Frontier of Digital Life

November 15, 2018

You’ll need to fight through dense brambles of code and programming, sort through the clamor of soci...

Review: At LCT, ‘Plot Points In Our Sexual Development’ Traces the Edges of Queer Intimacy

Review: At LCT, ‘Plot Points In Our Sexual Development’ Traces the Edges of Queer Intimacy

November 8, 2018

“Plot Points in Our Sexual Development” — stashed away in the secluded interior of the Claire Tow Thea...

Review: ‘The Ferryman’ Steers Us to the Crossroads of Family and Myth, History and Tradition

Review: ‘The Ferryman’ Steers Us to the Crossroads of Family and Myth, History and Tradition

November 8, 2018

Pay close attention and you’ll find that “The Ferryman” is washed in the holy waters of classic l...

Review: “Torch Song” Breathes New Life, Radiantly Led By Michael Urie

Review: “Torch Song” Breathes New Life, Radiantly Led By Michael Urie

November 8, 2018

I don’t need to tell you that “Torch Song” is brilliantly funny, nor do I need to mention that ...

“Legally Blonde” Delivers Fresh Feminist Message

“Legally Blonde” Delivers Fresh Feminist Message

November 8, 2018

To rephrase the opening sequence of “Legally Blonde,” “Omigod, omigod you guys, Splinter Group’s gonna win the prize.” On Thursday, Oct. 18...

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