Skip to Main Content
ALUMNI
DONATE
ADVERTISE WITH THE OBSERVER
SUBMIT A TIP
More
Facebook
Instagram
X
YouTube
Search this site
Submit Search
The Observer
Open Navigation Menu
The Observer
NEWS
OPINIONS
ARTS & CULTURE
SPORTS & HEALTH
FEATURES
FUN & GAMES
MULTIMEDIA
PODCAST
ABOUT THE OBSERVER
DONATE
ADVERTISE WITH THE OBSERVER
SUBMIT A TIP
EDITORIAL BOARD
MANY VOICES PRIZE
More
The Observer
Open Search Bar
Search this site
Submit Search
Open Navigation Menu
News
Opinions
Arts & Culture
Sports & Health
Features
Fun & Games
Multimedia
More
Podcast
About The Observer
Editorial Board
Masthead
Editorial Guidelines
Many Voices Prize
Issue Archives
Students for Justice in Palestine
More
The Observer
Open Search Bar
Search this site
Submit Search
‘Nickel Boys’ is an Innovative Masterpiece
By
EPHRAM OLIVER
November 10, 2024
Dorothy Fortenberry on Climate, Faith and Screenwriting
By
MICHELLE WILSON
November 6, 2024
Pick ‘Saturday Night’ for Your Next Saturday Night
By
LAINEY COLLIER
October 23, 2024
‘My Old Ass’ Offers Little Outside of Its Intriguing Title
By
AVERY LOFTIS
October 3, 2024
‘Lumberjack the Monster’ is a Wild Campy Mess
By
JULIA JARAMILLO
June 17, 2024
‘Kingdom of the Planet of the Apes’ Continues the Epic Trilogy
By
ANDREA RIVAS
June 2, 2024
‘Madame Web’ Joins Sony’s Spider-Man Universe in Film Installment
By
ANDREA RIVAS
March 7, 2024
‘Dune: Part Two’ Effortlessly Merges Spectacle With Substance
By
ANA KEVORKIAN
February 29, 2024
The Hunger Games Today, The Hunger Games Tomorrow, The Hunger Games Forever
By
MORGAN JOHNSON
December 12, 2023
The Release of ‘The Eras Tour’ (Film Version)
By
ANDREA RIVAS
November 20, 2023
‘Something Missing’: ‘Killers of the Flower Moon’
By
BIVAS THAPA
November 14, 2023
‘Dumb Money’ Is an Unapologetic Ode to the Underdog
By
ERIKA TULFO
October 22, 2023
Pages:
1
2
3
4
5
6
7
...
28
»
Close
Close Modal Window
Close